Tuesday, October 1, 2019

Sir Gawain And The Green Knight: The Role Of Women :: essays research papers

In the fourteenth century, chivalry was in decline due to drastic social and economic changes. Although feudalism-along with chivalry-would eventually fall for other reasons, including a decrease in cheap human resources due to a drop in population caused by plague epidemics and the emergence of a mercantile middle class, the Gawain author perceived a loss of religious values as the cause of its decline. Gawain and the Green Knight presents both a support of the old feudal hierarchies and an implicit criticism of changes by recalling chivalry in its idealized state in the court of King Arthur. The women in the story are the poet's primary instruments in this critique and reinforcement of feudalism. The poet uses the contrast between the Virgin Mary with Lady Bertilak's wife to point out the conflict between courtly and spiritual love that he felt had weakened the religious values behind chivalry. The poem warns that a loss of the religious values behind chivalry would lead to its ul timate destruction. Although superficially Sir Gawain and the Green Knight appears to be a romantic celebration of chivalry, it contains wide-ranging serious criticism of the system. The poet is showing Gawain's reliance on chivalry's outside form and substance at the expense of the original values of the Christian religion from which it sprang. The first knights were monastic ones, vowing chastity, poverty and service to God, and undertaking crusades for the good of their faith. The divergence between this early model and the fourteenth century knight came with the rise of courtly love in which the knights were led to their great deeds by devotion to a mistress rather than God. The discrepancy between this and the church's mistrust of women and desires of the flesh is obvious, and the poet uses women in the story to deliver this message. In contrast to reality at the time, women in the story are given great power: Mary, when properly worshiped, gives Gawain his power, Lady Bertilak operates alone in th e bedroom and singlehandedly taints the chevalier, and Morgan the Fay instigates the entire plot, wielding enough power. The author is using them as a metaphor for other anti-social forces and dangers outside the control of feudalism and chivalry, drawing upon biblical and classical examples in his audience's minds of where femininity is linked with subversiveness. Lady Bertilak is clearly seen in the Biblical role of the temptress, the Eve who led Adam astray--in Gawain, she represents the traditional female archetypes of courtly love, disobedience, lust and death. Sir Gawain And The Green Knight: The Role Of Women :: essays research papers In the fourteenth century, chivalry was in decline due to drastic social and economic changes. Although feudalism-along with chivalry-would eventually fall for other reasons, including a decrease in cheap human resources due to a drop in population caused by plague epidemics and the emergence of a mercantile middle class, the Gawain author perceived a loss of religious values as the cause of its decline. Gawain and the Green Knight presents both a support of the old feudal hierarchies and an implicit criticism of changes by recalling chivalry in its idealized state in the court of King Arthur. The women in the story are the poet's primary instruments in this critique and reinforcement of feudalism. The poet uses the contrast between the Virgin Mary with Lady Bertilak's wife to point out the conflict between courtly and spiritual love that he felt had weakened the religious values behind chivalry. The poem warns that a loss of the religious values behind chivalry would lead to its ul timate destruction. Although superficially Sir Gawain and the Green Knight appears to be a romantic celebration of chivalry, it contains wide-ranging serious criticism of the system. The poet is showing Gawain's reliance on chivalry's outside form and substance at the expense of the original values of the Christian religion from which it sprang. The first knights were monastic ones, vowing chastity, poverty and service to God, and undertaking crusades for the good of their faith. The divergence between this early model and the fourteenth century knight came with the rise of courtly love in which the knights were led to their great deeds by devotion to a mistress rather than God. The discrepancy between this and the church's mistrust of women and desires of the flesh is obvious, and the poet uses women in the story to deliver this message. In contrast to reality at the time, women in the story are given great power: Mary, when properly worshiped, gives Gawain his power, Lady Bertilak operates alone in th e bedroom and singlehandedly taints the chevalier, and Morgan the Fay instigates the entire plot, wielding enough power. The author is using them as a metaphor for other anti-social forces and dangers outside the control of feudalism and chivalry, drawing upon biblical and classical examples in his audience's minds of where femininity is linked with subversiveness. Lady Bertilak is clearly seen in the Biblical role of the temptress, the Eve who led Adam astray--in Gawain, she represents the traditional female archetypes of courtly love, disobedience, lust and death.

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